We had a wonderful time reading selections from our forthcoming chapbook, Activate, at Cafe Stritch on January 17. Couldn’t make it? Not to worry. Check out the wonderful Keenan Flagg performing Tarn Wilson’s “My Father Refuses to Attend his Commencement, May 1968”:
Good news: We’re currently reading submissions for our April 11 show at Cafe Stritch. Got something to share? Send along your poetry, fiction, nonfiction and works of theatre to firstname.lastname@example.org.
One exciting trend emerged while we were reading submissions for our Activists Unite show: We noticed writers responding to similar themes regardless of era. Among our chapbook submissions we were excited to stumble across an excerpt of Tarn Wilson’s memoir, which included a 1968 letter that her father had written to his university administration. Keenan Flagg will be reading this letter, as well as her interpretation of it, tomorrow night at Cafe Stritch.
Tarn Wilson is the author of the memoir The Slow Farm (Ovenbird Books: Judith Kitchen Select, 2014) about her childhood with her hippy parents in the Canadian wilderness. Her essays appear in Brevity, Defunct,Gulf Stream, Harvard Divinity Bulletin, J Journal, River Teeth, Ruminate, South Loop Review, and The Sun, among others. She is a graduate of the Rainier Writing Workshop and a co-founder of Creator Schools, which offers writing courses for innovative Bay Area teens and adults. She is currently at work on a new memoir, How to Become the Second Most Popular Girl in the Sixth Grade.
She also directs and teaches at the Creator School. She shared some insight into this piece with us.
What inspired you to participate in Play On Words? It has been so inspiring poking around your website. What a fantastic gift you have given writers and the community! (And I’ve loved your performances I’ve seen.) Thanks for all your efforts.
What inspired you to write “My Father Refuses to Attend his Commencement, May 1968”? “My Father Refuses” is a letter I found after in some files after my father’s death. I love it because is so perfectly encapsulates the earnest, sometimes naive activism of ’60s. I find it both charming and maddening. I included it in my memoir the Slow Farm, about what it was like living with hippie parents in the wilds of British Columbia.
I am a local high school creative writing teacher.
We hope you can join us tomorrow at Cafe Stritch to see her work performed–and to preorder our chapbook, Activate!