Have you ever wondered what goes on behind the scenes at theater school? Mara Sherman‘s one-act, “Stage Kiss,” explores the flirtatious awkwardness behind scene partners who, um, get paired a lot. Check out Laurel Brittan and Gray Performs reading Mara’s play on June 3 at San Jose’s Cafe Stritch:
Does this inspire you to write? If so, send us your funniest, your most awkward, your most poignant stories at email@example.com. Deadline for our next show is June 30!
Introducing playwright Mara Sherman! Mara Sherman’s short play “Stage Kiss” is funny, sweet, and, ultimately, exactly the kind of play we at Play On Words like to produce. Join us on June 3 at Cafe Stritch to see it all in person.
Mara is a playwright, director, and actor currently based in Northern Virginia. Her plays have been produced as part of student play festivals at both UC Santa Cruz and Mary Baldwin College. She recently directed a minimalist six – actor Romeo & Juliet that toured to various Virginia colleges, high schools, and theaters. Favorite acting roles include Dionyza in Shakespeare’s Pericles: Prince of Tyre, and Lady Kix in Thomas Middleton’s A Chaste Maid in Cheapside. She has a BA in Literature from UC Santa Cruz and a master’s degree in Shakespeare and Performance from Mary Baldwin College.
What inspired you to participate in Play On Words?
The intersection of art and literature, of writing and performance, is totally my jam. I love plays that are based on poems or short stories or novels or scripture. I love the idea of written work being inspired by live performance. When it really comes down to it I am a big ole nerd and I liked the idea of getting to play around with other nerds.
Which writers or performers inspire you?
Paula Vogel, Sarah Ruhl, Mary Zimmerman, Lorraine Hansberry, Thomas Middleton, (everyone drop what you are doing right now and go read Revenger’s Tragedy) and of course, Tegan and Sarah.
Name a book or performance that fundamentally affected you.
The best piece of theater I have ever seen was the world premiere of Luis Alfaro’s Bruja at the Magic Theater, about two years ago. I love the Greeks, especially Euripedes and especially Medea, and it was pure bliss to see one of my favorite plays adapted so successfully for the modern stage. It’s weird to call a play about a woman who kills her children “joyful” but I left the theater absolutely brimming with happiness.