Gary Singh Goes Voodoo

Gary Singh is an expert at creating ambience. A San Jose fixture and regular Play On Words contributor, we have always noticed how well his turns of phrase translate to the stage. That’s why we’re thrilled to perform his flash fiction piece, “Voodoo,” next week at Play On Words: Live in San Francisco, our return to LitCrawl.

gary singh
Gary Singh

Gary is a journalist and creative writer with over 1100 articles in numerous trade and consumer publications, including feature stories, travel essays, music and arts criticism, sports writing, business journalism, poetry and short fiction. For 14 straight years, his newspaper columns have appeared in Metro, the alternative weekly newspaper of San Jose and Silicon Valley. His poems have been published in The Pedestal Magazine, Maudlin House and several other publications. He is the author of The San Jose Earthquakes: A Seismic Soccer Legacy (2015, The History Press) and was recently a Steinbeck Fellow in Creative Writing at San Jose State University. His photography was included in a 2014 statewide exhibition at the Triton Museum. He received a bronze medal from the Society of American Travel Writer’s Western Chapter Awards in 2013.

Gary answered a few questions for us in advance of next week’s show. The piece we’ll be performing, “Voodoo,” will be published by Digging Through the Fat.

What inspired you to participate in Play On Words?

Having your own work performed, read, or interpreted by someone else, on stage, is a fantastic experience. You get to see how each person brings his or herself into the performance. One often discovers new inflections or degrees of meaning that were not apparent beforehand.

Which writers inspire you?

Over the last year, I seem to be reading: immigrant fiction about the Asian-American diaspora in any shape or form, authored by women or men; rereading travel literature by Pico Iyer and Henry Miller; blowing through classic spy novels; and a few rock and punk memoirs here and there.

Name a book that fundamentally affected you.

This would depend on the moment and often changes daily, but as of right now, The Alexandria Quartet by Lawrence Durrell continues to swirl its way back into my consciousness. Written before and during WWII, each of the four books relates to the others in nonlinear space-time. The first three books reveal the same story — part-thriller, part-travel writing, part experimental love triangle—but from different perspectives. The fourth book can be understood as a sequel to the first three. All four, together, are designed to be experienced like a hall of mirrors, so to speak. That is, there is no overall beginning, middle or end in the conventional linear sense. Scenes from the past take place simultaneously with scenes in the present, each book is filled with references to the other three in a cross-connected 3D fashion, and it’s often up to you to decide if you’re reading a book written by one of the characters himself—still operating within the narrative you’re looking at—or if you’re reading something written in retrospect, after the describe events have taken place. It often switches.

Durrell would say it’s a stereoscopic interlinear novel in four parts. Some have said the city of Alexandria is the main character. His evocative depictions of the Greco-Arab atmospherics of the city during WWII are incomparable, if not floridly overwritten at times. Plus, there’s a trifecta of occultism, hermetic philosophy and quantum physics woven into the whole thing, underneath it all. It never gets old. I return to it to over and over again.

Join us on Saturday, Oct. 19, at 5 pm at San Francisco’s Stage Werx Theatre to see Gary’s work performed. Learn more about all 100+ LitCrawl events and RSVP here.

Michelle Myers’ “Pence”

The most interesting and surprising work can arise when a writer responds to a prompt. When we read Michelle Suzanne Myers’ short piece, “Pence,” we were amazed by how many reactions we had in just a few paragraphs. Regardless of your politics, sometimes the juxtaposition of empathy and revulsion, curiosity and disgust, can make for the most thought-provoking work. We look forward to performing Michelle’s hilarious piece tomorrow at Play On Words: New Horizons.

myers
Michelle Myer

Born in San Jose, whilst it was still the Valley of the Heart’s Delight, and once more a current proud resident, Michelle supports her meandering writing journey as a bilingual psychotherapist in private practice. She holds degrees from the University of San Francisco and Santa Clara University. After graduating with a sociology degree from USF, Michelle headed to Dallas, Texas to do legal aide work with refugees as a Jesuit Volunteer. She then escaped the U.S. to Sao Paulo, Brazil for four years where volunteering in support of women and girls. Michelle was fortunate enough to learn about social justice, human rights, and mysticism in her early spiritual formation, and she still has hope for the loving transformation of this world. Like her paternal grandfather, she loves birds and walking the hills. Unlike her grandfather, she loves salsa and Afro-Brazilian music, movement, and dance. Michelle credits the wise, wild women of her Friday morning writing group with giving her the courage to reveal her writing to the public.

Her piece “Communion on the Road” will be published in summer 2018 in Sanctuary, an anthology published by Darkhouse Books of Niles, California.

Michelle shared some of her thoughts with us in advance of tomorrow’s show.

What inspired you to participate in Play On Words?

My wonderful writing professor, poet Lita Kurth encouraged me to submit this piece.  Also, I felt compelled to submit it as I believe we all must promote the idea that love indeed overcomes hatred.  

Which writers or performers inspire you?

Barbara Kingsolver, Mary Oliver, theologian Dr. Kristin Heyer, Ph.D, and sociologist Dr. Laura Nichols, Ph.D, Eduardo Galeano, Joyce Rupp, Rainer Maria Rilke, Natalie Goldberg, Chimamanda Ngozi Adichie, Teresa of Avila, Rumi, Hafiz, and Anne Lamott.

Name a book or performance that fundamentally affected you.

Women in Praise of the Sacred:  43 Centuries of Spiritual Poetry by Women, edited by Jane Hirshfield.

Want to see us perform “Pence” live? Join us tomorrow at Cafe Stritch!