What does a hurricane feel like from the perspective of water? Is it a crashing, a reunion, a departure, a homecoming? Leah Griesmann’s “Florence, Katrina, Maria: The Standpoint of Water” offers three stories of hurricanes, as reflected by the water itself. We’re delighted to welcome Leah back to Play On Words on January 12 at our Beyond Boundaries show at the San Jose Museum of Art, where we will be performing this great piece. Leah was one of our featured writers from our POW premiere way back in October 2013, so we are excited to welcome her back to San Jose!
Leah has received grants and residencies for her fiction from the MacDowell Colony, the Elizabeth George Foundation, the Swatch Art Peace Hotel in Shanghai, the Virginia Quarterly Review Writers’ Conference, The Key West Writers Workshops, The Writers in Paradise Conference, as well as a Steinbeck Fellowship in Fiction. Her short fiction has appeared in The Weekly Rumpus, PEN Center’s The Rattling Wall, J Journal: New Writing on Justice, and This Side of the Divide: Stories of the American West, among other publications. She will be a writer in residence at the Studios of Key West in summer 2020.
She agreed to answer a few questions in advance of the show.
What inspired you to participate in Play On Words?
I’ve long been a fan of reading series in which actors perform pieces of literature. California is home to several great reading series that I’ve been thrilled to participate in, including Sacramento Stories on Stage, the New Short Fiction Series in North Hollywood, and of course San Jose’s own Play on Words. I also participated in a reading at the Shanghai American Center, when I was on a writing residency at the Swatch Art Peace Hotel in Shanghai. Two of my Las Vegas-based stories were performed by actors, and I took questions from the local audience afterwards, including, “Why does your country have so many guns?” I much prefer to see my work performed on stage by talented artists than read it myself!
Name a book or performance that fundamentally affected you.
Recently I visited Chicago for the first time, where I got to see the improvisational comedy troupe The Second City. Particularly in dark times, good comedy has a way of calling BS and shining a light on truth while making people laugh. But more than that, I was struck by how humanizing good comedy can be. There was one piece—totally improvised—which was a sort of “This is Your Life.” A random audience member, in this case a teacher from New Jersey, answered a few questions about a typical day, and then the cast improvised a scene with her sitting on stage. Not only was the scene hilarious, with Second City cast members playing her colleagues, family, and friends, it was also incredibly humanizing in that it made this “ordinary” teacher the ass-kicking hero of an otherwise (hilariously) dysfunctional day.
Come see us perform Leah’s work! Tickets are free but going fast; reserve yours now for our January 12 show at the San Jose Museum of Art. Entrance includes free admission to the museum.