It can be hard to capture the dream state that is early parenthood. Not only is a new parent trying to understand a life they are responsible for introducing to the world, he or she is trying to juggle competing identities, often on very little sleep. Talk about new terrains! We fell in love with Becky Kling’s “Postpartum Dream Sequence,” a series of shorts that perfectly capture the seeming absurdity, joy, and incongruity of parenthood. We look forward to performing this original work on February 24 at the San Jose Museum of Art.
Becky is finishing her PhD in English at UC Davis, where she studies writing and composition as well as nineteenth-century literature. When she is not dissertating or teaching, she loves to write creatively, do yoga, cook, hike, and hang out with her family. She contributes to “Bitching the Pot,” a blog about all things Victorian coauthored with Leilani Serafin, PhD. She was kind enough to answer a few questions for us in advance of this month’s show.
What inspired you to participate in Play On Words?
I have been following Play on Words San Jose on social media and I love the concept of staging literary performances. When I saw the theme of “New Terrains,” it seemed like a great fit with some of my recent writing. I am thrilled to have the opportunity to share my work through Play on Words!
Which writers or performers inspire you?
Toni Morrison, Ada Limón, David Whyte, Mary Oliver, David Sedaris, Junot Diaz, Sylvia Plath, Charlotte Brontë, and so many more!
Name a book or performance that fundamentally affected you.
I got to see David Sedaris perform in Santa Cruz last May. I love his complete unabashed joy in being himself, both in his writing and on the stage. I think of writing as a window to the soul, and sharing that with the world is exhilarating, but it can also be terrifying! His comfort in his own skin is inspiring and contagious.
Join us on February 24 to see Becky’s work performed at the San Jose Museum of Art.