How do our bodies reflect our lives? Which happens first: our experiences or our anatomical response? We were delighted to find Christina K. Shon’s “Bleeding Heart” in our submission pile this spring. Her story, which describes the narrator grappling with major surgery while falling in love, combines the perfect mixture of vulnerability, honesty, humor and self-awareness. We worked with Christina in summer 2015 and can’t wait to bring her new work to light tonight at Play On Words: New Horizons.
From a very young age, Christina has secretly dreamed of being a writer in the way that young children dream about becoming movie stars or professional baseball players. It always seemed like a profession destined for those who had been groomed for it. Then one day in graduate school, her “Teaching Writing” classmates were sharing sample stories that they had written. One of her classmates said, “You should give up teaching and become a writer.” That first seed of possibility has slowly grown to a sapling passion. Christina hopes to someday record all the stories that her grandmother used to tell her about their life in Korea.
She doesn’t slow down, either: This year she is participating in the 100 Day Project. Participants commit to doing a creative project every day for 100 days. It started on April 3, 2018, but everyone is welcome to join at any time.
Christina answered some questions for us in advance of tonight’s show.
What inspired you to participate in Play On Words?
I am a huge fan! I really love how Play on Words fosters a community of artists, writers and performers, to interpret, share stories, and support one another’s craft. It’s like art interpreting art and then bringing it to life.
Tell us about this piece.
This story started out as just a recounting of my experience of this particular surgery, which I had always wanted to document, but then it became a story about how people have a hard time letting go of things that hurt us, even when we know it’s hurting us.
Which writers or performers inspire you?
Amy Tan, Jhumpa Lahiri, David Sedaris, and of course, Julia Halprin Jackson.
Name a book or performance that fundamentally affected you.
As an undergrad, I had an opportunity to hear Amy Tan give a talk about her novel, The Joy Luck Club. One of the stories in that novel is based on Amy Tan’s grandmother, who had been the third wife of a wealthy man. Tan decided, while writing the novel, to write the character as the fourth wife, because the number four in Chinese sounds similar to the word for death in Chinese and it sort of made for a richer story. Tan’s mother revealed later that her grandmother had, in fact, been the fourth wife, but she had been too ashamed to share that truth with her daughter.
When I heard this, I felt to me that Amy Tan had written the novel from her heart and that was more true than the details that she had been given as a child.
Fundamentally, as a writer, I want to write a truthful story. Even if the details are entirely fiction, the story should resonate as truthful. Writing is the most truthful thing anyone can do.
Join us tonight to hear Laurel Brittan perform Christina’s story, “Bleeding Heart,” at Play On Words: New Horizons! Show starts at Cafe Stritch at 7 pm.
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