One of the reasons we encourage writers to participate in Play On Words is to hear what it sounds like to have an actor interpret their work aloud. Even if the writer is a practiced and comfortable reader–or even a fellow actor, such as the inimitable Arcadia Conrad–there is such value to be had in hearing someone else meditate on one’s work. We were lucky enough to have the amazing Laurel Brittan perform Arcadia’s thought-provoking piece, “308 on 308,” at our Activists Unite show on January 17:
“308 on 308” is just one of the 28 pieces we have included in Activate, our forthcoming chapbook produced in conjunction with Flash Fiction Forum. We’re thrilled to have a few copies of this book in hand tonight at DeAnza’s Euphrat Museum, where a number of #powsj and Flash Fiction Forum readers will be reading their own work at 5 pm. Hope to see you there!
What does activism look like in the 21st century? Leah Griesmann’s flash piece, “Before the War,” offers one street-level perspective. We were delighted to include her work in our January 2018 show at Cafe Stritch–as performed by the magnificent Ivette Deltoro–as well as in our forthcoming chapbook, which you will be able to check out in person tomorrow night at DeAnza’s Euphrat museum.
Until then, however, we hope you enjoy Ivette’s performance from last month:
Want to participate in our next show? We’re reading submissions for our April 11 show through March 10. Email us your original fiction, theatre, nonfiction and poetry as attachments to email@example.com. We look forward to reading your work!
What did you eat for breakfast on November 9, 2016, the day after the presidential election? The subject of Faisal Mohyuddin’s poem makes a pretty clear statement: Sometimes you just need pie.
In case you missed her fabulous performance at Cafe Stritch in January, please check out the talented Laurel Brittan performing Mohyuddin’s poem, which was originally published on The Rumpus:
This powerful poem is included in our forthcoming chapbook, Activate, which we will have in hand this Wednesday, February 28, at a special reading at DeAnza College’s Euphrat Museum. Join us from 5-7 pm to hear a number of talented contributors read their work–and preorder your own copy!
While reviewing submissions for our chapbook, Activate, we were struck by the poem “Thirty Pounds in Three Months” by Christine Stoddard. We have been on the lookout for work that reflects the anxiety and challenges of today’s political environment, and Stoddard’s piece sheds light on a reality that many people living in the United States face. We were lucky enough to have the amazing Ivette Deltoro read this live at our Activists Unite show on January 17:
You can hear Ivette reflecting on this performance in our latest episode of the Play On Words POWer Half Hour. We also recommend joining her this weekend at San Jose’s City Lights Theatre for “boom,” a play by Peter Sinn Nachtrieb. This show represents the hard work of the inaugural Mini Lights Emerging Artists program, which offers experience to up-and-coming theatre professionals.
And because this wouldn’t be a POW blog post without a call for submissions, we want to remind all our faithful fans and friends to submit original fiction, nonfiction, poetry and theatre to firstname.lastname@example.org by March 10 to be considered for our next show.
Good news Playonwordsians, past, present and future: We’re currently accepting submissions for our April 11th show at Cafe Stritch. We need you!
We accept works of fiction, nonfiction, theater and poetry. While our aesthetic tends toward the funny, unusual, thought-provoking and absurd, more than anything we want to read work that surprises us and pops off the stage. We cap submissions at 1500 words, though there is some wiggle room with works of theater.
To submit, email an attachment of your work to email@example.com. Use this opportunity to tell us a little bit about yourself and how you see this piece being performed.
Haven’t been to a show? Check out our YouTube channel and our podcast to learn more about the work we produce.
What happens when you mix revolution with poetry? An ekphrastic story by Lita Kurth, perhaps? Today we are excited to feature Melinda Marks’ January 17 performance of Lita’s “Roque Dalton, Salvador”:
This piece is one of 28 included in Activate, our chapbook produced in conjunction with San Jose’s Flash Fiction Forum, Maria Judnick, and designer Peter Caravalho. Want to learn more about this great project? Join us next Wednesday, February 28, at DeAnza’s Euphrat Museum of Art at 5 pm.
Podcast alert! Our ninth episode is special because it features Ivette Deltoro and Erin Southard of the Mini Lights Emerging Artist program, Play On Words’ community partner. Listen to Ryan Alpers interview Ivette about performing “Thirty Pounds in Three Months” by Christine Stoddard at our January 17 show–and get the scoop on Mini Lights, a new series in San Jose designed to support young theatre professionals as they learn to cast, direct, fundraise, and market their own productions. Pretty amazing, right?
Listen to this special episode on SoundCloud or subscribe, rate and review in iTunes.
Mini Lights’ first show, “boom” by Peter Sinn Nachtrieb, debuts next Thursday, February 22, at City Lights Theatre in San Jose. Directed by POW co-founder and casting director Melinda Marks, it features Play On Words cast members April Culver and Michael Weiland. In other words: this is a show you won’t want to miss. Tickets are on sale here.
Speaking of great art: Play On Words is currently seeking short works of fiction, nonfiction, theatre and poetry for our April 11th show. We want to read your work! Email us submissions at firstname.lastname@example.org.
We had a wonderful time reading selections from our forthcoming chapbook, Activate, at Cafe Stritch on January 17. Couldn’t make it? Not to worry. Check out the wonderful Keenan Flagg performing Tarn Wilson’s “My Father Refuses to Attend his Commencement, May 1968”:
Good news: We’re currently reading submissions for our April 11 show at Cafe Stritch. Got something to share? Send along your poetry, fiction, nonfiction and works of theatre to email@example.com.
Today on the podcast, host Ryan Alpers interviews POW founders Melinda Marks and Julia Halprin Jackson. They discuss Play On Words’ origin story, their collaboration with San Jose’s Flash Fiction Forum, and the benefits of hearing one’s work performed aloud by an actor.
Listen to the episode on SoundCloud and subscribe, rate and review on iTunes!