What do you get when you combine classical music, community organizing, a real passion for the arts, and savvy business sense? In a word: Cellista, also known as Freya Seeburger. Fans of San Jose’s The Commons might have seen this remarkable cellist performing downtown over the last few years–or gracing the stage at SubZERO fest, South First Fridays, and any number of venues in the Bay Area and beyond. This week we are delighted to share an excerpt of Cellista’s latest work, an introduction to “The End of Time,” a piece that was originally performed in a World War II prisoner of war camp–and one that she will be performing, alongside the Juxtapositions ensemble, this spring in San Jose’s Anno Domini gallery. We hope you can join us this Wednesday at Cafe Stritch for New Year Nouveau to see her monologue performed live.
Since moving to downtown San Jose, California in 2010, Cellista has been actively involved in SJ’s vibrant arts scene as a performer as well as arts enabler both participating in and organizing community-based projects. Her arts-based company Juxtapositions reflects her love of San Jose and the entire Bay Area. Cellista aims to foster new audiences, and stages for the arts by presenting performances that promote inter-arts collaboration, innovative programming, and community dialogues facilitated by artists themselves.
Cellista is a noted performer. She has recorded and performed with independent rock, hip hop, and classical groups including Van Dyke Parks, The Awesöme Orchestra Collective, Grammy-nominated artist Tanya Donelly, and The Coup (as a member of Classical Revolution) as well as Casey Cresenzo of The Dear Hunter.
Cellista’s penchant for performing music in unconventional spaces, and her devotion to collaborating with artists across mediums has led her to create unique performances that incorporate elements of classical music, improvisation, and visual art.
Her debut solo album Finding San Jose will be released in Fall of 2016.
Publications, Honors or Awards:
Cellista’s musicological research writing, focused on interdisciplinary topics in music, including French composer Olivier Messiaen’s “Quatuor pour la fin du Temps,” earned her a panelist position at the 4th annual College of Liberal Arts Graduate Student Symposium (CLAGS) at the University of Nevada, Reno, as well as SFSU’s “Otey” award for research writing. In April of 2015, she presented her paper, “The End of Time,” as an invited speaker at the University of Calgary’s graduate music symposium.
She is the recipient of the Nagel’s scholarship and a Bell Foundation grant awardee.
She is a recently appointed member of the San Jose Arts Commission.
She studies with cellist Jennifer Culp (SFCM, Kronos Quartet), and members of the Alexander String Quartet.
I will be performing Messiaen’s “The End of Time” with the Juxtapositions ensemble on February 20, March 12 and 13 at Anno Domini gallery in San Jose. As part of this unique installation, I proposed the idea of creating artwork inspired by Messiaen to the artist Barron Storey. His work will be on display at Anno Domini starting February 5. You can join us for the opening on February 5 or click here to buy tickets for our February 20, March 12 and 13 performances.
What inspired you to participate in Play On Words?
Julia is my rad neighbor.
Which writers or performers inspire you?
Anais Nin’s life was a performance that inspires me. Ferlinghetti. The writers of the Harlem Renaissance.
Name a book or performance that fundamentally affected you.
Illuminations by Rimbaud opened the gateway for some pretty angsty teen years and a whole life of good art making.
Want to join the conversation? Sign up for our new email newsletter, RSVP for our January 6 show, tweet us, catch up on Instagram…and if you see us in San Jose we’ll usually accept a high five.
As a reminder, our January 6 show will be collecting $5 donations at the door. We also will be live-streaming this show with South Bay Pulse–stay tuned to learn more!
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